Torvald and IIn this one act play, Chrisler attempts repeatedly to redress the negative perceptions Ibsen’s infamous subjugating husband has been burdened with by rewriting the last scene of A Doll’s House. To accomplish this he sets up many rules, all of which–from no birds, to no nudity, to no personal anecdotes–come to splendid ruin.
2 men, 1 woman 1 hour. |
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“The most intimate and peculiar theater in town.”
-David Cuthbert, New Orleans Times-Picayune (Critic’s Pick)
-David Cuthbert, New Orleans Times-Picayune (Critic’s Pick)
